Gun Play: A Guest Post and Giveaway from Doug Magee

Doug Magee, the author of Never Wave Goodbye, was kind enough to stop by and write a guest post explaining his reluctance to add guns to a thriller.  There will be a giveaway at the end, don't miss out on it.  So with no further ado, I give you Doug Magee....

Raymond Chandler supposedly advised the following to writers of suspense novels:  When things slow down, bring in a man with a gun.

In my first suspense novel, Never Wave Goodbye,  I did not take Chandler's advice.  There are three reasons for this:

1).  I didn't know about the advice when I was writing the novel.
2).  I never thought things were slowing down.
3).  I hate guns.

Let me deal with the last first.  I've only fired a gun once in my life.  I think I was about twelve years old and, being fearless, some men in the neighborhood thought it was a good idea I go out hunting with them to man me up a little.  They put a twelve gauge shotgun in my hands, told me to jam the stock tightly into my shoulder, and to squeeze the trigger.  I'd been using toy guns, sticks, and whatever to shoot bad guys and Indians (it was the fifties) for a long time.  I made a pretty credible imitation of the sound of gunfire as I did this.  But my toy gun practice didn't in the least prepare me for the kick of that twelve gauge.  I was nearly knocked to the ground by the gun's recoil and my badly damaged shoulder didn't recover for a week.

Since then guns have had my respect and any fictional use I've made of them in my writing has been as a last resort.  Unconsciously, I think, I've taken an approach opposite that of Chandler.  If I've had to have a character pull out a pistol, I ask myself what I can't be creative enough to give the scene a different motor, resolution.

Guns and gun culture are an integral part of both our fictional and real world.  I suppose one tool every suspense writer should hone is gun knowledge.  I remember being looked at askance by a producer on one of my first screenwriting projects when I told him I didn't know hat a Glock was.  To be honest with you I'm still a little fuzzy on this category.  My questions to myself is, does this resistance to gun usage hurt or help my suspense novel writing?  I'm not sure but I'd probably say, if pressed, that it forces me to at least think deeply about a scene, action, and the like rather than rushing to fulfill Chandler's dictum.

A screenwriter auditioning to adapt Never Wave Goodbye for the screen altered the book significantly and added gun play in many scenes where there was none in the novel.  I was able to veto his, uh, help.  But I wonder how long my gun dislike can continue if I'm to be writing suspense novels.  I'm not sure but perhaps the solution is this:  don't let things slow down.

I would, once again, thank David for stopping by and giving us his insight into the usage of guns in suspense writing.  I must say I totally agree with him on this.  You can learn more about David and his novel by visiting his website.  You can also read my review of Never Wave Goodbye.

Now onto the giveaway.  The publisher is kindly offering one lucky winner a hardcover of Doug Magee's new novel, Never Wave Goodbye.

To enter all you have to do is leave a short or long comment about your views on guns/weapons being used in today's fiction.  You must be a follower of this blog and leave an email address in your comment.

You can earn an extra entry, each, by twittering or blogging about this giveaway.  Let me know in your initial comment if you did either one, as well as a link proving it.

By the publisher's request the giveaway is only open in the US and Canada.

The giveaway will run from 7/13/10 through 11:59 PM on 7/27/10.  I will select the winner using random.org and will then email the winner for their mailing address.  The winner will have 48 hours to email me their info or I will select a new winner.

Guest Post by LM Preston author of Explorer X-Alpha

I am a huge fan of SciFi/Fantasy novels and the one aspect that fascinates me the most is how these talented authors create the worlds they set their characters into.  So when I was offered a chance to review LM Preston's Explorer Alpha-X and gain insight into how she developed her world, I jumped at the chance.  So with no further ado, I give you LM Preston and her insight into world building.  (By the way I will have the review up either later today or tomorrow.)

HOW I BUILD WORLDS

I once participated in a Sci-Fi critique group, where one of the authors asked about World Building. Our leader never expanded on this topic. When this topic was bought up, I pondered what I did when I build the many worlds I create for my books.

When I built the planet Shrenas, in which Aadi and Eirena crashed on, I used the extremes of Earth as a basis for the harshness of that planet. I had a collage of cut out pictures in a folder I kept, and sticky notes of the species of the planet. I loved creating Shrenas. Read below to find out the secrets of a world builder.

I believe everyone has their own methods. However, here are some of mine that help me throughout the process.

EXPOSE YOURSELF TO EARTH AND ITS WONDERS

I love to travel, and do so very often. Traveling and exposing yourself to different wonders of our world can be a catalyst for the creation of your new world. Always look and observe people, places, art, colors, temperatures, and other oddities that reside in the world around you. It will help you to push your imagination further as you create your own worlds.

STUDY THE WORLD AROUND YOU

Take time to study and observe your surroundings. Things that may not seem interesting initially can become an integral part of the world you create. When you are walking, or touring areas take your time, allow your imagination to go beyond the obvious and ask yourself many questions.

I ask myself many questions about my surroundings. What if the clouds were black, blue, and gray? What if the sun was white? Or lower to the ground? What if the plants had fingers? Push yourself to expand on the world around you and morph them into something different.

RESEARCH AND MAKE NOTES

I do a lot of research on the internet. Truth be told, I don’t do a lot of reading, I just look at pictures. I tend to look at pictures for a long time, and sit back and see if it fits into my world.

I note what extremes I want my world to have.

I note what rules my world should have.

I note what kind of species could live in that world.

How would a human sustain this environment?

Should I create something artificial in order to allow my humans to live here?

DRAW IT OUT

I draw out parts of your new world or cut out pictures of places or things that fit in the world you create. You don’t have to be a writer to do this. Try it and you will realize how fun it can be.

DECIDE WHAT TO REVEAL ABOUT YOUR WORLD

I tend to create these elaborate worlds, and then I take out a lot of the microscopic pieces that I believe the reader can fill in. However, I give the backdrop in the world the reader creates. I note the rules for that world, its species, animals and weaknesses.

FILL IN THE RULES

Address the main guidepost of your world. How is it powered? Is it advanced? Is it rugged? What’s the climate? What does the land look like? Does it have a sun or moon? Are there animals there? What are the major species? How does your character fit into it all?

When I world build it comes natural to me, because I’ve always loved science and like to spend time pondering its wonders. However, taking notes, going exploring, drawing it out, kicking things up a notch and making DA RULES has helped me greatly in creating the worlds in my novels.

by: LM Preston, http://www.lmpreston.com/ Author of EXPLORER X - alpha

Interview and Giveaway with Dakota Banks, author of Dark Times

I am so excited to present to you the wonderful Dakota Banks who was kind enough to answer a few questions and give two lucky winners the chance to win a signed copy of Dark Times, the first book in her Mortal Path series. I had the privilege of reviewing the book back in September. You can find my review here. Needless to say I love it.

She is a brilliant author with an interesting background and childhood. Which included growing up in a converted funeral home. With her passion for archaeology and the paranormal she is able to blend them together to create a wonderfully fleshed out world.

So with no further ado I present to you Dakota Banks in her own words along with an excerpt from the next book in the series, Sacrifice. Giveaway details will be at the end.

First of all I just want to thank you for you time and the opportunity to speak with you. I would like to start off with a basic question. When and how did you decide that you wanted to write a book?

I've known I wanted to be a writer since I was in elementary school. I wrote science fiction short stories in high school and got hand-written rejection letters, the key word here being rejection. Then the haze of life drifted in, or maybe the Mists of Avalon, and when I awoke again to the idea of writing, I had gotten to the point where my husband had stopped using individual candles on my birthday cake and instead bought those big, dramatic candles shaped like numbers. If I was going to be a writer, I'd have to stop using the excuse that I didn't have time to write. So one day I typed "Chapter One," and kept on going. I'd like to say that I started writing just then for the joy of it, but what actually motivated me to start at that particular time was a contest deadline and prize money. I love writing and can't imagine doing anything else, but it took a deadline and dollars to get me to start my first book. Oh, the shame of it. Plus I didn't win.

That first book, a futuristic thriller, was good enough to get me an agent. Although publishers liked the writing, they weren't too taken with the main character, since there wasn't a clear main character. After numerous rejections, I finally got the hint. I needed to write something that I loved and that was salable too. I developed a series based on virtual reality recreations of homicides. Full immersion VR, where you step into the life-sized scene. There are five of those books published under a different name. I eventually went back and rewrote my first book, using what I'd learned over the years, and it's published now too. So I can legitimately say I published the first book I ever wrote.

After six books I wanted to try something different, a series that would allow me to switch to paranormal. Dark Time is the first book in the urban fantasy/paranormal thriller genre for me. It is so exciting to be writing in this area, but scary because it is almost like starting all over. Okay, it is like starting all over. There's not a great deal of cross-over from techno-thriller readers to paranormal. But I strongly feel that if a writer isn't doing something she loves, it's apparent to the readers. So even in the bottom-line-oriented publishing world, a writer has to follow her heart, and that could mean writing in different genres at different times in a writing career.

Where did the idea for Dark Time come from?

Dark Time was a long time in the making, since the idea was born during the early days of the Iraq war, when the Iraq National Museum was looted in 2003. Iraq includes the land between the Tigris and Euphrates Rivers and has treasures from ancient Mesopotamian civilizations, among them Sumeria. The theft and senseless destruction of so many artifacts in the museum hit me hard, as it did many others around the world who have been working to restore the museum's collection.

I've been an amateur archaeologist for years, with a particular interest in the Sumerian civilization. Some of those artifacts have been around 3,000-5,000 years. That got me thinking first about what if there were ancient artifacts that were much more resilient and couldn't be destroyed by mere humans? And if there were artifacts, why not stretch it more and have ancient gods still here? Why not a human or two from that time period, although they wouldn't be fully human anymore? As a writer, these ideas excited me because there was a lot of wiggle room in them--paranormal elements with ancient legends coming to life in the present, a quest for artifacts, personal stories that could play out on both a very big stage and a small one, drama, romance, action. The ideas were so big and powerful that it took a long time to create characters and a story structure from them.

Why Sumerian/Babylonian mythology as an inspiration as opposed to Native American, Celtic or some other myth system?

I'd have to blame the Epic of Gilgamesh I read years ago for that. Many who read one of its various translations--the original is written in cuneiform on twelve tablets--are briefly caught up in the imaginative story of the legendary god-king and the Sumerian gods who are sprinkled in it, then slip back to other things they can relate to more easily. In my case, I got stuck in it, like an insect in amber, and it generated an interest in civilizations in the Mesopotamian region. Gilgamesh is an epic poem from roughly 4,200 years ago that tells the story of the Sumerian King Gilgamesh, who may or may not have been a real-life character from about 4,700 years ago. Recent discoveries support the existence of Gilgamesh, which makes me wonder what he did as a real man that inspired such legends. Of all the tales told about him, the most human to believe is that he started his kingship with the unsavory habit of deflowering virgin brides on their wedding days, leaving the grooms to twiddle their, er, thumbs and causing plenty of marriages to start with humiliation and anger. A perfect setup for a murder mystery, and exactly the type of behavior Maliha Crayne (Dark Time's protagonist) would bring to a halt.

There's another reason I couldn't resist using Sumerian myths. The Sumerians believed that their gods didn't originate on Earth. According to their myths, the gods (or Annukai) came from another planet, Niburu, supposedly a part of our solar system but with a wildly eccentric orbit. Niburu approaches Earth every 3,600 years. All of this is speculation and myth; not proven fact. About 450,000 years ago, the Annukai transferred from Niburu to Earth to search for gold. The Sumerian creation myth revolves around these aliens and their actions here. To get in on the 2012 frenzy already beginning to build, the story is that Niburu will return to Earth's vicinity in 2012 and one of two things will happen. It will collide with Earth, or the Annukai will come back to Earth and be pleased--or not--with the humans they created and refined long ago. I don't believe all this, but I do eat it up, and it's definitely timely!

I've always wanted to ask an author why the abundance of protagonists in the genre are women. Is it that most authors in the genre are women? Are most of the readers women? Or is it another reason I've never even thought of?

The contemporary urban fantasy genre is currently heavily shaded toward vampire, werewolf, faerie, and shape shifter stories. I'm going to stick my neck out (hah!) and probably get blasted, but I think there is a strong undercurrent of sexuality running through these stories that are fantasies women have about exotic, powerful creatures. Women readers relate better to women protagonists when it comes to sex or emotional issues, and there are a lot of women authors writing material that caters to these fantasies. A woman reader loses herself in the female protagonist's world and has two dark, dangerous vampires fighting to possess her, or two alpha werewolves, while discovering that only she can stop the war that will throw the world into chaos for centuries. Beats doing the laundry any day--I can vouch for that! The best of these books also contain deep character development, especially on an emotional basis, that creates a bond to the character and helps the woman reader put herself into the scene.

I think this is the "mainstream" of urban fantasy right now, but there is also traditional urban fantasy that predated the sexy vampire craze and continues alongside it, and a lot of that is written by male authors. A good example is one of my favorite authors, Charles de Lint, and his series of books set in the imaginary city of Newford. Also consider these vampire stories: They Thirst by Robert R. McCammon; I Am Legend by Richard Matheson; and Salem's Lot by Stephen King. (My thanks to the Goodreads October Newsletter for refreshing my mind about these three.) Not much in the way of pervasive sex there.

I think there's room within urban fantasy for stories that have strong female protagonists who create an emotional bond, but are coupled with a lot of action: a thriller-fantasy. I had a great time researching and writing Dark Time and book two, Sacrifice, due out in August 2010. They're the type of books I love to read because I can get the fantasy (paranormal) punch while exploring some new territory as a reader.

As I said in my review I loved the cliffhanger ending. Can you give us a hint at what is in store for the next book?

The title, Sacrifice, is meaningful and refers to events that made me cry when I wrote them. I can also offer a short excerpt from Sacrifice below. It's not the beginning of the book, and it's still unedited, so it may change in minor ways. This is the setup to an action scene as Maliha visits the lab of her friends, scientists Ty and Claire Rainier, who are analyzing a specimen from Africa that she sent to them.

Sacrifice Excerpt

At various times in the past, Maliha's fighting outfit had been made of loose cotton, silk, or leather, but it had always been black.

Wear black to hide the blood, Master Liu said.

Tonight she slipped on the black cotton trousers of the ninja and tied strings around her calves, nipping in the wide material. The top wrapped around her and secured with ties, and she filled the hidden pockets with throwing stars. Tabi socks and boots, with their traditional split toes for better gripping, followed. The bottom of her trousers tucked nearly inside her boots, and at the top of each boot she fastened a sheath with a short knife for close-up fighting. Maliha braided her black hair into one heavy braid down her back, and then tucked it inside the back of her top. She wasn't ready to use the mask and hood, so she put them up her sleeves, where they were held in place by forearm ties.

With her throwing knives strapped to her thighs, she moved through the lobby of the building and tossed a wink at the wide-eyed door attendant.

"Late Halloween party," she said.

"Uh …" he said, and she was out the door into a November night with a sliver of moon in the sky. It was exhilarating to be out on the streets, dressed to kill.

Even now I understand the temptation to be Ageless. The power, fearlessness, answering to no one but the demon, the decadence …

She shook herself out of the memory before those thoughts could take hold.

Moving rapidly, her cold breath trailing behind her, she headed south to the University of Chicago. Flitting through the parks that lined the lake shore, she came to Jackson Park in the Hyde Park neighborhood. From there it was a straight shot west along the Midway, a large grassy area that was the site of the 1893 World's Colombian Exhibition, an event Maliha remembered well. She'd ridden the first Ferris wheel there and ridden the same one again at the 1904 St. Louis World's Fair.

The route from the lake shore to the Midway wasn't the most direct way to go, but she felt like running and she liked to stay to the green areas whenever she could. When she passed the crenellated towers of Harper Library, she left the Midway. It was only one long block past the hospital to get to the buildings of the Pritzker School of Medicine.

The Rainiers' lab was located in an older stone building with Gothic arches. Maliha knew of a window with a broken lock above a side doorway that projected out from the building like a Lego block stuck onto its side. The window had been that way since Maliha moved to Chicago, although it had been fixed twice in the interim—and Maliha promptly broke it again to preserve her access. Because of the Rainiers, the building was a useful place to her, and it was, after all, in her backyard.

She climbed the outside of the building, using the ridges and curves of the Gothic features as handholds. She didn't have far to go, about ten feet to a flat section of stone roof atop the projecting doorway. The window was topped by arched glass, but she was interested in the bottom panes. She lay down on the stone roof and placed her rubber-soled boots on the glass. Pushing up with her legs, she expected the heavy window to rise enough for her to slip underneath it, but it didn't move.

The window's lock had been fixed again.

Impatient to get inside, Maliha didn't want to try anything else, like

breaking in through the building's door. There was an electronic lock on the door, and it wouldn't yield without time and tools. Glass, though, yielded to many things, among them a swift kick from one of her boots. She swept the broken glass out of the way as best she could, put on her mask and hood, and dropped ten feet to the floor inside the building, landing with the relaxed knees of a trained parachute trooper.

Maliha made her way carefully through the halls, dimmed except for security lights every twenty feet or so. Professors Ty and Claire Rainier didn't rate prime facilities, which for Maliha's purpose was fine. Larger, better-equipped labs were crowded with grad students who worked all hours of the night. Most of the time, the Rainiers worked alone.

As she approached the door, she heard noises coming from the lab. The sound of glass breaking was followed by a muffled scream. She ran the last thirty feet and did a handspring that brought her feet-first toward the door. The door sprang open, torn off its hinges. She landed with a roll, ending up behind a solid lab bench. Taking a quick look, she was horrified at the scene.

Bright lights flooded the lab. She blinked and tried to adjust her eyes rapidly. There were two men dressed in black, but they were blocky and moved with no grace. They were not trained martial artists. She dismissed them, but not the guns they held. Even the hired muscle could get lucky.

Claire was tied in a chair in the center of the lab, her head slumped forward so that her chin rested on her chest. Ty was on the ground, clutching his belly and groaning. There was broken equipment all around. A tall, thin man stood next to Claire. His hair hung in greasy lanks and he wore a long, heavy robe. There was a bulge in his coat pocket that was probably the canteen containing the specimen. He turned his face toward Maliha and for the briefest moment their eyes met. His were black, flat, and emotionless, a snake's eyes fixed on its prey. Just as she ducked back into the shelter of the lab bench, she saw him pick up a piece of broken glass from the floor.

Maliha knew his intent as though their minds were one.

She rolled out from behind the bench and planted a throwing star in the wrist of the nearest gunman. He screamed and dropped the gun. As she passed by him, she finished him with a blow to the throat, then turned her attention back to the real danger in the room.

Dakota, I want to thank you once again for the time you spent in answering the questions so thoroughly. After reading that excerpt, I can't wait to get my hands on Sacrifice.

GIVEAWAY TIME!

All right boys and girls just for reading this far in I'm going to give you the details of the Giveaway now. Two lucky winners will each receive a signed copy of Dark Times. Dakota has graciously offered to ship them anywhere in the world so this contest is open to everyone.

To enter the giveaway please leave a comment stating your favorite mythological character. It could be a god, goddess, hero, or creature. Please include your email address with your comments. No email, no entry. The giveaway will be open until 11:59 PM CST on Friday Nov. 6th.

You can earn extra entries by doing the following, leave a separate comment with email address for each entry.

+1 for following my blog through Google Friend Connect

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