Synopsis From Dust Jacket:
Living in two worlds is exhausting, and no one knows this better than sixteen-year-old Jake Livingston. His working-class, diverse neighborhood is a far cry from the world of St. Clair Prep where he is one of the only Black students, constantly at the mercy of racist teachers and peers who don't understand him. But when his neighbor—a survivor of a grisly school shooting—is murdered and the bloody initials of the now-dead shooter, Sawyer Doom, are left on the entryway wall of Jake's home. Jake is forced to confront another world he wishes he could escape—the world of the dead.
As a medium, Jake sees ghosts around him all the time. Most are harmless. Stuck in their death loops as they relive their deaths over and over again, they rarely interact with people. And while for most of his life Jake has avoided them, this time there is no running away. Sawyer was a troubled teen who shot and killed six kids at a local high school before taking his own life. Now he's a powerful, vengeful ghost, and he has plans for his afterlife—plans thay include Jake. When Sawyer begins stalking him, high school becomes a different kind of survival game—one Jake is not sure he can win.
I’ve hemmed and hawed for far longer than I should have — I’m talking months — over how I wanted to start this review. Even now, as I’m typing, I feel like someone flipping through every streaming app they own, unable to settle on something to watch. I guess I’m just going to start typing and see what comes out. If I need to clean it up later, I will. It’s not like y’all will be able to tell the difference.
I absolutely love this book and think everyone who is even a little into YA should read it — if you’re comfortable with the themes it explores. The Taking of Jake Livingston ventures into very dark territory, and I’m not exaggerating when I say certain aspects of the narrative have stayed with me far longer than usual. That lingering weight is part of the reason I’ve had such a damned hard time writing this review. I think it’s impossible to talk about this book without discussing the gut punch that is Sawyer Doom, so I hope you’ll stick with me.
When I reviewed Come Knocking by Mike Bockoven, I discussed how the author had to strike a balance between showing us why the killer felt justified in doing something so barbaric and horrifying, without actually excusing or agreeing with him. That same balance had to be struck in The Taking of Jake Livingston by Ryan Douglass, and I think he handled it brilliantly — though perhaps with a bit more detail than I was expecting.
Instead of giving us a “manifesto” at the end of the book, Douglass lets us into Sawyer’s head throughout the story, as he relives the relentless abuse and bullying he endured for years. Those sections are not comfortable to read. I felt for this young man — no one should have to live through what he did. I can’t imagine the pain and anger that must have flowed through that boy’s veins. Where Douglass surpasses Bockoven, in my opinion, is that by allowing us into Sawyer’s head — the head of an evil, vengeful ghost — he removes any ambiguity. Whatever sympathy we might begin with hardens into horror and hatred as Sawyer torments Jake. Douglass does not shy away from making him as hate-filled and monstrous as any character I’ve read in a long time. By the end of this book, you will loathe Sawyer as much as you adore Jake.
I dare anyone to read this novel and not take an instant liking to Jake. He faces his own bullying, and while it makes him withdrawn and awkward at times, he never turns that pain outward onto others. He’s too busy trying to survive his day-to-day life. How anyone could cope with that — on top of the ability to see dead people — is beyond me. The inner strength that would require is admirable, and I’m not sure I could handle it half as well as Jake does.
Though he’s forced to confront Sawyer, Jake — with the emotional support of his family and friends, including a possible new boyfriend — faces it head-on. He doesn’t come out unscathed, but he may have just found a new version of himself in the process.
At its heart, this is a story built on contrast — two young men faced with unimaginable pain. Both are bullied. Both are isolated. Both are shaped by cruelty. But only one chooses to rise above it. Only one chooses to protect rather than harm.
And it’s in that contrast that this story has stayed with me, lingering far longer than I ever expected.











