The 2025 Yuletide Spirit Reading Challenge

 

Woo-hoo! I'm signing up for my first, and probably last, reading challenge of 2025. My friend Michelle at The Mystical Lantern has been hosting this challenge for what feels like forever, and now that I'm blogging again, I can finally participate once more. I’m a little late to the game since the challenge started on November 24th, but that’s okay.

I'm going for the Christmas Tree level, which is 5 or 6 books, and I’m definitely joining the Fa La La La Films side challenge as well—especially since I’ve already watched eighteen Christmas movies, eight of which have been since the 24th.

If you’d like to join in the fun, head over to the sign-up post here.

The 100 Best Comedy Movies of All Time, According to Variety

 

Variety came out with their list of the 100 best comedy movies of all time, and I'm going to state up front that while I agree with a lot of it, there are some glaring omissions. I'll even admit I haven't seen everything—maybe not even most of what's on the list—but I still think they missed the mark. Before I get to what I think is missing, or comment on what I think is a terrible pick, let me show you what they chose. I'll highlight the ones I've seen in red. 

1. The Naked Gun: From the Files of Police Squad! (1988)

2. Some Like it Hot (1959)

3. Annie Hall (1977)

4. The Great Dictator (1940)

5. Waiting for Guffman (1996)

6. Monty Python and the Holy Grail (1975)

7. Duck Soup (1933)

8. Fargo (1996)

9. Young Frankenstein (1974)

10. Groundhog Day (1993)

11. Sherlock Jr. (1924)

12. Tootsie (1982)

13. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

14. Sideways (2004)

15. Playtime (1967)

16. His Girl Friday (1940)

17. The Heartbreak Kid (1974)

18. This is Spinal Tap (1984)

19. It Happened One Night (1934)

20. Superbad (2007)

21. The Bank Dick (1940)

22. Caddyshack (1980)

23. Trouble in Paradise (1932)

24. Bridesmaids (2011)

25. M*A*S*H (1970)

26. Borat! Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)

27. The Philadelphia Story (1940)

28. Richard Pryor: Live in Concert (1979)

29. When Harry Met Sally (1989)

30. Austin Powers: International Man of Mystery (1997)

31. Pink Flamingos (1972)

32. Sullivan's Travels (1941)

33. Lost in America (1985)

34. Withnail and I (1987)

35. School of Rock (2003)

36. Ed Wood (1994)

37. The Princess Bride (1987)

38. The Nutty Proffesor (1963)

39. Clueless (1995)

40. Zoolander (2001)

41. A Hard Day's Night (1964)

42. Four Weddings and a Funeral (1994)

43. Team America: World Police (2004)

44. Mrs. Doubtfire (1993)

45. Kind Hearts and Coronets (1949)

46. Coming to America (1988)

47. The Grand Budapest Hotel (2014)

48. Bringing up Baby (1938)

49. Shampoo (1975)

50. The Waterboy (1998)

51. Being John Malkovich (1999)

52. The Tall Blond Man With One Black Shoe (1972)

53. Broadcast News (1987)

54. Elf (2003)

55. Safety Last! (1923)

56. The Odd Couple (1968)

57. My Best Friend's Wedding (1997)

58. House Party (1990)

59. Pillow Talk (1959)

60. Big (1988)

61. The Birdcage (1996)

62. Airplane! (1980)

63. Going Places (1974)

64. A Fish Called Wanda (1988)

65. Poor Things (2023)

66. Eddie Murphy Raw (1987)

67. Hellzapoppin' (1941)

68. In the Loop (2009)

69. Ace Ventura: Pet Detective (1994)

70. Legally Blonde (2001)

71. Miracle at Morgan's Creek (1944)

72. The Big Lebowski (1998)

73. Napoleon Dynamite (2004)

74. Private Benjamin (1980)

75. Shaun of the Dead (2004)

76. Me and You and Everyone We Know (2005)

77. Blazing Saddles (1974)

78. A Night at the Opera (1935)

79. The Rocky Horror Picture Show (1975)

80. Bamboozled (2000)

81. The Devil Wears Prada (2006)

82. The Awful Truth (1937)

83. Wet Hot American Summer (2001)

84. Women on the Verge of a Nervous Breakdown (1988)

85. To Be or Not to Be (1942)

86. Idiocracy (2006)

87. Everything Everywhere All at Once (2022)

88. Anchorman: The Legend of Ron Burgandy (2004)

89. Fast Times at Ridgemont High (1982)

90. Bob & Carol & Ted & Alice (1969)

91. She Done Him Wrong (1933)

92. The Jerk (1979)

93. Hairspray (1988)

94. Clerks (1994)

95. Brazil (1985)

96. I'm Gonna Git You Sucka (1988)

97. Born Yesterday (1950)

98. Pretty Woman (1990)

99. Wayne's World (1992)

100. Bridget Jones's Diary (2001)

I’ve been trying to decide where I want to start my commentary on this list, and I think I’ll start with what I love about it.

My sense of humor is definitely on the darker side—so much so that I laughed out loud when the guy slid down the deck and pinged off the propeller blade in Titanic (1997). So it was great to see Fargo in the top ten. It’s one of my favorite movies of all time and a terrific example of dark comedy at its best. I do think there was room for some others, though: Nurse Betty (2000), Very Bad Things (1998), Serial Mom (1994), Dogma (1999), Go (1999), Heathers (1988), American Psycho (2000), Welcome to the Dollhouse (1995), Don’t Tell Mom the Babysitter’s Dead (1991), Knives Out (2019), and Game Night (2018) are all strong contenders that I love. There are actually two others, but they’ll come up later.

I loved seeing horror-comedy make the list with Shaun of the Dead, since it’s my second-favorite subgenre after dark comedy. And while I’ve never seen that particular movie, I’m not sure it’s the best example of the genre at its best. I’d put forth Jennifer’s Body (2009), Ready or Not (2019), Trick ’r Treat (2007), Happy Death Day (2017), Krampus (2015), House (1985), Gremlins (1985), Little Shop of Horrors (1986), The Wolf of Snow Hollow (2020), Ghostbusters (1984), Fright Night (1985), and The ’Burbs (1989) as either substitutions or additions.

I loved seeing Cary Grant all over the list, especially with His Girl Friday, which is my absolute favorite romantic comedy of all time. The chemistry between him and Rosalind Russell is off the charts. But I was really surprised that Arsenic and Old Lace (1944) wasn’t one of his selected movies. Three of my favorites were also skipped over: Mr. Blandings Builds His Dream House (1948), Houseboat (1958), and My Favorite Wife (1940).

I have to admit, given I haven’t seen a lot of these movies, that this isn’t a bad list overall—I’m just 1000% sure it’s not a list I would ever put together. So here are my proposals to fix it.

The inclusion of a Christmas movie would normally be something I’d celebrate, but I really don’t like Will Ferrell, so seeing Elf—when there are far better choices—felt like a stab in the back. These are the movies I’d propose instead: Christmas in Connecticut (1945), The Ref (1994), Christmas with the Kranks (2004), or The Holiday (2006). And while I may not necessarily like the next three movies, I’m still surprised they were passed over for Elf: National Lampoon’s Christmas Vacation (1989), A Christmas Story (1983), and Home Alone (1990).

This may be wildly unpopular, but I’m not a fan of Jim Carrey, Vince Vaughn (as a comedic actor), Ben Stiller, Adam Sandler, Mike Myers, or the aforementioned Will Ferrell, so I’d like to see all of their movies off this list. I’d replace them with any combination of the following: Lucille Ball in The Long, Long Trailer (1953); Lily Tomlin in Big Business (1988) and 9 to 5 (1980); Michael J. Fox in The Secret of My Success (1987); Diane Keaton in Baby Boom (1987); Melanie Griffith in Working Girl (1988); Mary Gross in Feds (1988); Jeremy Renner in Tag (2018); Goldie Hawn in Overboard (1987); and Elisabeth Shue in Adventures in Babysitting (1987).

Speaking of movies I’d like to get rid of, I’m annoyed that there are so many films on this list where cisgender male characters dress as women for laughs, deception, or both. Instead, I’d like to replace two of them with The Adventures of Priscilla, Queen of the Desert (1994) and To Wong Foo, Thanks for Everything! Julie Newmar (1995). And speaking of bad stereotypes played for laughs, I’d replace The Birdcage with any of the following: Edge of Seventeen (1998), In & Out (1997), But I’m a Cheerleader (1999), Jeffrey (1995), Trick (1999), or Red, White & Royal Blue (2023).

While I may not like every movie I’m about to list, I’m still flabbergasted that not a single John Hughes movie—directed or written by him—is included. The Breakfast Club (1985), Pretty in Pink (1986), Ferris Bueller’s Day Off (1986), Uncle Buck (1989), Sixteen Candles (1984), Planes, Trains and Automobiles (1987), The Great Outdoors (1988), She’s Having a Baby (1988), Mr. Mom (1983), and Weird Science (1985) are all missing in action. It’s shocking and needs to be corrected. 

Before I list the movies whose absence feels like pieces of my soul are missing, I wanted to mention a few others I was surprised not to see, even if they aren’t favorites of mine: Beetlejuice (1988), 10 Things I Hate About You (1999), Friday (1995), Beverly Hills Cop (1984), Breakfast at Tiffany’s (1961), and Grumpy Old Men (1993).

Now we’re down to the four movies left off this list that not only shocked me but left me judging every single person who put it together.

Auntie Mame (1958) is just about my favorite movie of all time. Rosalind Russell is so damn funny here, as is the entire cast. I first watched this in high school on A&E, when those two letters actually stood for something, and it’s been my favorite movie ever since. I would do anything to have an Auntie Mame in my life.

Speaking of Rosalind Russell, she’s comedy gold in The Women (1939), which has an all-female cast including Joan Crawford and Norma Shearer. I watch it at least once a year and will probably be doing so for decades to come.

How Death Becomes Her (1992) was passed over is beyond me. Goldie Hawn, Meryl Streep, and Bruce Willis act the hell out of these roles, delivering some delightful one-liners.

That leaves the biggest snub, in my opinion: Clue (1985). This movie shouldn’t just be on the list—it should be number one. I wouldn’t be surprised if flames appeared on many faces after not seeing this movie listed. The cast is full of comedy legends who know how to deliver a line. Rejecting them like this should be illegal.

What do y’all think of the list? What do you think shouldn’t be on it, and what do you think got brutally snubbed? No matter what, whether the movies are on the list or among the ones I mentioned, I hope you decide to give a few you’ve never seen a watch—and maybe even revisit an old favorite you haven’t thought of in a while. Happy watching!

Happy Thanksgiving!

Wishing you a happy Thanksgiving filled with love and laughter. 

Favorite Fictional Character --- Tootle

 

A long, long time ago I did a whole month of FFC posts highlighting some of my favorite Little Golden Books characters. I love so many of them that a few inevitably got left out, so tonight I’m finally starting to fix that.

Like a lot of people, some of the very first books I ever owned were Little Golden Books, and many of those characters still live in my heart. They’re the kinds of characters that help kids fall in love with reading, a gift they’ve been bestowiing for decades now. Tonight’s character debuted in 1945 in his self-titled book by Gertrude Crampton, and he has never been out of print. The sheer number of hearts and minds he’s touched, including my own, is honestly unfathomable. And as you’ve already seen from the title of this post, I’m talking about Tootle — the lovable train with a focusing problem.

Tootle, who is a youngster himself, goes to train school with dreams of becoming the Flyer between New York and Chicago. The one lesson drilled into his metallic little noggin over and over is simple: a good train stays on the tracks. One day he’s challenged to a race by a horse, and in order to win, he jumps the tracks and barrels into a meadow. What he doesn’t foresee is that he’s about to fall in love with meadow romps—chasing butterflies, enjoying the flowers, and generally living his best life. Through some clever trickery, the townspeople bring an end to his gallivanting and get him back on track (literally) toward Flyer stardom.

There’s an obvious lesson to be taken from Tootle’s story and a subtle one as well that I personally feel is a little emotionally damaging, but neither are what stayed with me over the years. What stuck with me was how Tootle made me feel—that spark of wonder and joy that hits you when a book opens up a little world just for you.

And just a quick thank-you to Michelle of True Book Addict for designing the brand-new FFC image. She made the original one as well, and even though I’m a bit sad to set that one aside, I’m genuinely in love with this new look.

The Dark Friars by Ryan J Hamshaw

 

Synopsis From Goodreads:

For Seventeen-year-old Liam O’Connor, nightmares become reality when he dreams of a fellow student's murder. Eager to uncover the truth, Liam and his friends investigate, revealing hidden secrets about his identity.

Targeted by the menacing Dark Friars, Liam is saved by the enigmatic Tariq, who introduces him to a supernatural world where good and evil battle in the shadows.

Can Liam juggle college, family, friendships, and desires while bearing the heavy responsibilities of his newfound destiny?

Against the picturesque cathedral city of Sarumbourne, the looming threat of the Dark Friars intensifies, and Liam's normal life shatters amid the chaos.

To be perfectly honest, this synopsis bores me to tears and gives the reader absolutely no clue how fantastic this book actually is. At least, it was for me. Not a single second was wasted. I was hooked from the first few sentences as we get dropped right into Liam’s nightmarishly violent dream. I was so sucked in that the second I finished, I bought a copy—even though it’s on Kindle Unlimited—and then bought the second book a few minutes later. I had zero self-control.

I don’t read a ton of YA. I think I read one or two last year, maybe the same this year. I’m only mentioning this because I don’t have a huge backlog to compare The Dark Friars to, but I can say I enjoyed it as much as my favorite YA of all time, Rotters by Daniel Kraus—just for completely different reasons. Liam, his friends Lily and Jack, Tariq, and the rest of the Keepers and Guild members pulled me straight into a world of immensee magic and the fight between those trying to protect it and those who want to twist it for their own nefarious means.

In a not-small way, The Dark Friars reminds me of my favorite TV show of all time, Buffy the Vampire Slayer. So much so that I’m giving in and breaking out the bullet points, though I still wish I could get away with using a giant Venn diagram.

• Like Buffy, Liam gets hit with immense power after the violent death of his predecessor. Unlike Buffy, Liam was forced to dream about that violent death for days.

• Buffy becomes the Slayer. Liam becomes the newest Keeper—one of six guardians protecting Sarumbourne from every manner of magical nightmare: shapeshifters, vampires, demons, and, of course, the Dark Friars.

• Buffy has the Watchers Council. Liam and the other Keepers have The Guild.

• Buffy has Willow and Xander. Liam has Lily and Jack—and honestly, I’d trade Xander for Jack in half a heartbeat. Jack is sooooo much better.

• Buffy has Angel. Liam has Tariq, and I’m already confident that Liam and Tariq are going to have a far healthier go of things.

That’s not to say the world the author has created feels derivative, because it absolutely doesn’t. This world stands entirely on its own and feels fully realized—a feat that can be difficult to pull off in the first book of a series. I could follow the paths of Craythorn Forest and Grovely Wood. The campus of Sarumbourne College is as real to me as my own. And I desperately want to wander the halls and rooms of The Seven Angels for myself. I think I would like it there.

All I know is that there better be a third, fourth, fifth, and twelfth book soon. Especially if they all have these gorgeous covers.

Favorite Fictional Character --- Jory Harcourt-Kage

 

Way back in 2010, I had a conversation with a few other bloggers about the sheer number of straight female authors writing m/m romance. I had no clue such a phenomenon was happening, and I was even more surprised to learn most of the readers were also straight women. I wasn’t sure how I felt about it—especially when I’d occasionally come across reviews that felt like the reviewer was fetishizing us. We have enough problems; I didn’t need a new one. Eventually, Mandi of Smexy Books talked me into reviewing one, and in September of 2011, I read and reviewed my first.

I was new to romance in general, and while that first book didn’t quite work for me for several reasons, I was willing to keep exploring the genre. It’s been a wild, occasionally chaotic ride over the last fourteen years. Since then, I’d say over 50% of my reading is m/m romance featuring every archetype imaginable: cowboys, Navy SEALs, hockey players, cops, bikers, werewolves, vampires, firemen, PIs, FBI agents, royalty, magic users, and spies. I quickly learned which authors I preferred, and while I do think the gay men writing in this genre feel more realistic, it is romance. It’s not supposed to be realistic.

One of those favorite authors is Mary Calmes. She’s one of the few writers whose new releases I will automatically buy, and a huge part of that is Jory Harcourt-Kage, the star of her A Matter of Time series. Jory is a character you will either adore or despise—there’s no in-between. He’s the kind of man who will give you the shirt off his back; if you were ever once a friend, he’ll drop everything to help you. He has a huge heart, and he doesn’t just wear it on his sleeve—it’s perched on top for the entire world to see it beating. His story is not meant to be factual; it is one of the most gloriously over-the-top romances I’ve ever read. If you don’t have a strong willingness to suspend your sense of disbelief, Mary Calmes is not the author for you.

But that same enormous heart is what gets Jory into trouble. It makes him a react-first, consequences-later person. He puts himself in danger constantly, convinced he’s protecting someone else. He’s been kidnapped, mixed up with gangsters and the mafia, nearly killed more than once, chased kidnappers, solved murders, been hunted by assassins, and was even paralyzed for a while. What amazes me most is that none of it has changed him. He’s still one of the most trusting characters I’ve read in decades. He gives almost everyone the benefit of the doubt, and he loves his family fiercely. He will do anything to protect them.

I absolutely adore Jory, his husband Sam, their kids, and their entire found family. He’s a character I revisit every year just to feel at home. And writing this has made me want to visit him again sooner rather than later.

Road of Bones by Christopher Golden

 

Synopsis From Dust Jacket:

Surrounded by barren trees in a snow-covered wilderness with a dim, dusty sky forever overhead, Siberia's Kolyma Highway is 1,200 miles of gravel-packed perma frost within driving distance of the Artic Circle. A narrow path where drivers face such challenging conditions as icy surfaces, limited visibility, and an average temperature of sixty degrees below zero, fatal car crashes are common. 

But motorists are not the only victims of the highway. Known as the Road of Bones, it is a massive graveyard for the former Soviet Union's gulag prisoners. Hundreds of thousands of people were worked to death and left where their bodies fell, consumed by the frozen elements and plowed beneath the road. 

Fascinated by the history, documentary film producer Felix "Teig" Teigland is in Russia to drive the highway, envisioning a new series capturing life and death on the Road of Bones with a ride to the town of Akhust, "the coldest place on Earth," collecting ghost stories and local legends along the way. However, when Teig and his team reach their destination, they find an abandoned town, save one catatonic nine-year-old girl—and a pack of predatory wolves, faster and smarter than any wilds animals should be. 

Pursued by the otherworldly beasts, Teig's companions confront even more uncanny and inexplicable phenomenon along the Road of Bones, as if the ghosts of Stalin's victims were haunting them. It is a harrowing journey that will push Teig to the edge of human endurance. 

Damn, that is a long synopsis. Normally, when a synopsis runs that long, I’ll try to condense it myself, but everything I cut made it unreadable. So, apologies in advance for a summary that’s longer than my review.

This has been my year of intentional rereads—mostly because I wanted the comfort of knowing I’d be spending time with books I already loved. And in a few cases (some of which I’ve already reviewed), there were books I read after I stopped blogging or writing anything longer than a two or three sentence Goodreads review that I’ve been itching to finally write a “proper” review for. Road of Bones by Christopher Golden is one of them.

There are a few living authors I love enough to be automatic buys that I can count them on one hand. Christopher Golden has been on that list since I read his Buffy the Vampire Slayer tie-ins. How quickly I get around to reading each new book he releases is a different story.

What I adore about horror—when it’s done right—is its ability to rip my heart out, leaving me on the floor, shattered beyond comprehension. That ability to break me never fails to satisfy, even when I’m mourning characters who grew to mean so much. Golden writes the way I dreamed of writing as a kid, and because of that he creates worlds populated with characters I connect to instantly—people who feel so real I’m fully immersed within a few pages.

That ability is in 3D Technicolor in Road of Bones. From the moment Teig’s truck slams into a guardrail on the Kolyma Highway as he skids across icy permafrost, to the moment Nari stomps her hooves before slipping back into the forest, I’m sold. I’m ready and willing to believe in the reality Golden has created.

This is a folk-horror, ghost-story fever dream set in a place most of us wouldn’t survive for five minutes. I felt every icy blade of wind cutting through the landscape. I saw shadows sliding across my walls as they crawled out of the dark. I felt the fleeting relief, the deep bone-cold terror, the fierce love I developed for these characters, and eventually the hollow sorrow that settled in as I followed them across Siberia. And yes, I know I’ll put myself through it again with a kind of twisted joy.

Now I just need to decide which of the other four Golden books sitting on my shelves I’m going to pick up next.

Can't Spell Treason Without Tea by Rebecca Thorne

 

Synopsis From Goodreads:

All Reyna and Kianthe want is to open a bookshop that serves tea. Worn wooden floors, plants on every table, firelight drifting between the rafters… all complemented by love and good company. Thing is, Reyna works as one of the Queen’s private guards, and Kianthe is the most powerful mage in existence. Leaving their lives isn’t so easy.

But after an assassin takes Reyna hostage, she decides she’s thoroughly done risking her life for a self-centered queen. Meanwhile, Kianthe has been waiting for a chance to flee responsibility–all the better that her girlfriend is on board. Together, they settle in Tawney, a town that boasts more dragons than people, and open the shop of their dreams.

What follows is a cozy tale of mishaps, mysteries, and a murderous queen throwing the realm’s biggest temper tantrum. In a story brimming with hurt/comfort and quiet fireside conversations, these two women will discover just what they mean to each other… and the world.

You know those books you genuinely enjoy while reading, but the moment you sit down to write a review, the flaws are all you can think about? Can’t Spell Treason Without Tea is one of those books for me, so I’ll try to keep this short.

I truly did enjoy my time with it. Reyna and Kianthe make a wonderful couple to build a series around. They balance each other well, bringing out strengths and tempering weaknesses. Starting the story with an already established relationship lets the author focus on plot rather than setup, which I appreciated. Still, this is the first time they’re spending extended time together, and while there are hints at growing pains, conflicts are resolved very quickly. I know this is a cozy fantasy, but as a gay man, I would love to see more of the mess and complexity that comes with intimacy, not just the tidy version.

The residents of Tawney are fun and distinct enough that I never confused them, but overall the characters, even Reyna and Kianthe, feel a bit two-dimensional. And no one suffers from this more than Queen Tilaine. If there’s a patron saint of bland villains, it’s her. If she continues as the primary source of conflict, I hope she becomes significantly more interesting.

World-building is also lighter than I expected for a first book in a fantasy series. Tawney itself feels mostly realized, though the layout remains murky in my mind. Beyond that? The wider world is a fog. I grew up with authors like Terry Brooks, David Eddings, Robert Jordan, and my favorite, Mercedes Lackey — writers who built rich, tangible worlds I can still map in my head. Here, I can picture Tawney and the castle Reyna fled… and that’s about it.

To be fair, this is just book one in what’s currently a four-book series. I’m hopeful these early quibbles will be addressed as the world and characters develop.

Despite everything I’ve mentioned, I genuinely enjoyed the time I spent with Reyna and Kianthe. I do plan to continue the series. I’m just not in a rush.

Finally, thanks to Tracy of Bitter Tea and Mystery for putting this book on my radar. I might not have picked it up otherwise, and I'm glad I did. 

Favorite Fictional Character --- Sweet Pickles

 

 I’m in a pickle. I’ve been wanting to highlight one of the denizens of Sweet Pickles for years now, but I could never decide which one to single out. As a kid, I loved all of them, even Nasty Nightingale. Trying to choose between Clever Camel or Yakety Yak gave me such a headache that I kept putting it off. And now, sixteen years after starting this feature, I’m still stuck.

Because my indecisiveness could give Questioning Quail a run for her money, I’ve decided to just pick all twenty-six of the anthropomorphic animals who live and play in the charming little town of Sweet Pickles.

Yes, I’m absolutely aging myself with this pick—and that’s fine, because these characters deserve it. If you’re not familiar, Sweet Pickles was a series of thirty picture books that used twenty-six animals, from A to Z, to help an entire generation of Gen X kids make sense of our personalities and emotions.

When I was little, I was especially drawn to Bashful Bear and Doubtful Dog. I’ll let you guess why, though I doubt you’d be wrong. I saw myself in them and felt everything they went through. What made these books special, beyond the irresistible idea of a town full of talking animals, was the gentle way they taught us to be self-aware. Each story showed how our quirks and flaws could get in our way, like when Bashful Bear was too shy to ask someone to be his friend. There were lessons about problem-solving, sure, but mostly they helped us see ourselves a little more clearly.

Before I wrap this up, I have to mention Loving Lion and Moody Moose, because I adored them too. And then there’s Unique Unicorn, Healthy Hippo, Fearless Fish… See my problem? I can’t choose just one.

So instead, consider this a quasi–love letter to all the residents of Sweet Pickles; the sweet, silly, and surprisingly insightful crew who helped shape an entire generation of kids.

Now if only I could find a complete set that doesn’t cost nearly $200. Wish me luck.

The Last Hour Between Worlds by Melissa Caruso

Synopsis From Goodreads:

Kembral Thorne is spending a few hours away from her newborn, and she's determined to enjoy herself at this party no matter what. But when the guests start dropping dead, Kem has no choice but to get to work. She is a Hound, after all, and she can't help picking up the scent of trouble. 

She’s not the only one. Her professional and personal nemesis, notorious burglar Rika Nonesuch, is on the prowl. They quickly identify what’s causing the a mysterious grandfather clock that sends them down an Echo every time it chimes. In each strange new layer of reality, time resets and a sinister figure appears to perform a blood-soaked ritual. 

As Kem and Rika fall into increasingly macabre versions of their city, they’ll need to rely on their wits—and each other—to unravel the secret of the clock and save their home.

It’s been a long time, at least eight or nine years, since I’ve read a book based on another blogger’s review. When I stopped blogging, I also stopped reading blogs. Honestly, that hurt more than anything else, but I needed to completely step away; otherwise, I would have felt even worse for abandoning something I’d poured so many years into. I didn’t need the reminder of what I was walking away from, even though it was the right decision at the time.

That brings us to today and my absolute love of The Last Hour Between Worlds by Melissa Caruso. I had read Roberta’s review of The Last Soul Among Wolves on her blog, Offbeat YA, and I knew it was something I needed to read for myself. Since it was the second book in a series, I immediately opened my Libby app to see if I could get the first book from my library system, and I was thrilled when I found it! Luckily, there were no holds, and I started reading within twenty minutes of finishing Roberta’s review.

Truthfully, I was a little lost at first. For some reason, it took me longer than usual to catch onto the Echo system of alternate realities. I’m going to blame my recent inability to get decent sleep. Once my tired brain caught on, though, I was hooked.

Kembral is one of those characters I want to hang out with. She’s a new mother trying to balance her instinct to be there for her child with her desire to return to a profession she loves and excels at. She’s a Hound, one of the best. She has an innate ability to travel between alternate dimensions, called Echos, and retrieve people (or in one case, a dog) who have fallen into them. Think of an old illustration of the Earth cut in half, showing the layers inside: crust, mantle, outer core, inner core. That’s the picture I had in my head, except there are eleven Echos. As you go deeper, they become more and more warped. Trees can have hands, buildings may have mouths, and people you know in the Prime reality might no longer look human the further down you go. In other words, Kembral is a badass. I want to be her when I grow up.

To say I enjoyed this doesn’t do justice to how lost I became in the story. It wasn’t perfect; there were a few moments that pulled me out for just a second or two, but those pale in comparison to how quickly the author was able to pull me right back in. It has everything I need to keep my interest: larger-than-life characters who somehow still feel grounded in their reality, complex mythology and world-building, and stakes that couldn’t be higher. It also helps that there were a few murders thrown in for good measure.

This isn’t a reality I’d ever want to live in, but I’m more than happy to keep visiting and hanging out with Kembral and Rika (who I didn’t even mention until now, but her snark is amazing) for as long as the author keeps writing new adventures for them.

Binge Watch --- Grimm

 

Grimm is one of those shows I stopped watching when I abruptly went cold turkey on all TV. Grimm and Supernatural aired around the same time, so before I said goodbye, my DVR was getting a workout. Of all the shows I was watching, those were the two that were the hardest to give up—though I think my DVR was grateful.

If you’ve ever wanted to live next door to your favorite fairytale monsters, Grimm is the show for you. If you’re not familiar with it, let’s recap the premise. Nick Burkhardt, played by the uber-hot David Giuntoli, is a Portland homicide detective whose life changes when his dying aunt shows up out of the blue. Nick discovers he’s a Grimm—part of a long line of guardians who maintain the balance between the human and Wesen worlds.

If you’re unsure what Wesen are, think: the Big Bad Wolf, the Three Little Pigs, Anubis, naiads, wendigos, witches, and a myriad of other creatures from fairytales and myths. Wesen hide among us, appearing as normal humans until they woge, revealing their true selves.

Grimm lasted six seasons, from 2011 to 2017, and in my not-so-humble opinion, that was nowhere near long enough. It built an entire mythology that was not only fun to be immersed in but believable as well. That’s why I love fantasy, in all its forms—when done right, it submerges you, pulling you out of the real world for an hour or two, maybe even ten, at a time. The “reality” that Grimm creates is one of those instances.

They built a world that just feels real. While I’m watching it, I forget Wesen aren’t real. I believe the royal families are pulling the strings behind the scenes. I believe that Black Claw and Hadrian’s Wall are fighting a war that will force everyone to choose a side. I forget that Nick, Hank, Renard, Adalind, Wu, Monroe, Rosalee, and Juliette are characters being played by ridiculously talented actors. Whether I’m watching one episode or ten, I’m all in the entire time.

Before I leave you with just enough curiosity to check the show out for yourself, I have to touch upon the city it’s set and filmed in—Portland, Oregon. This isn’t the Portland of the 1980s, which was the last time I was there. This is a vibrant city full of life and beauty. I absolutely adore the Pacific Northwest, with its old-growth forests and ferns as big as golden retrievers. I love the weather and the way of life.

Grimm brings all of that to the forefront, and Portland is as much a character as Nick himself. I honestly don’t know if the show would have worked as well anywhere else. It rekindled my love for the region—and if I don’t end up moving back to the north shore of Lake Superior, it’ll be back to Oregon, on the western side of the Cascades.

And make no mistake: I’m Team Adalind all the way. After everything she and Nick go through separately, they both deserve any happiness they can find together.

I’ve heard they’re planning a movie set a decade or two after the show ended. I hope it’s a continuation of the story and the characters I love—but at this point, I’ll take whatever they’re willing to share with us. I can’t wait to be immersed in that world again.

Favorite Fictional Character --- Charlie, the Lonesome Cougar

 

As a young Gen X lad, I grew up with a lot of TV shows and movies that debuted years—if not decades—before I was ever born. I’d wager I’m not alone in that; most of my generation probably grew up watching the same shows I did: Perry Mason, Gilligan’s Island, The Big Valley, Bewitched, Batman, and The Addams Family, just to name a few. Syndication and reruns were king when I was growing up. In this regard, I actually feel a little bad for the generations that came after us, because they don’t really know what came before them. But I digress—that’s a discussion for another time.

Today’s Favorite Fictional Character doesn’t come from a TV show but from one of the many live-action movies Disney made in the 1960s. For the record, I think the 1950s through the 1960s were when Disney did their best live-action work. I’m not knocking what came after (though all these live-action remakes really aren’t my thing), but there’s just something about the movies they made in that era that sets them apart. Maybe it’s pure nostalgia since they’re what I was raised on, but I stand by it.

Charlie, the Lonesome Cougar came out in 1967, while I wasn’t born until 1976. I’m almost positive I didn’t see it until sometime in the early 1980s—but don’t quote me on that. What I can say, with absolute certainty, is that I loved it from the very first moment the orphaned cougar cub, who would eventually be named Charlie, appeared on screen. For 75 minutes, I watched as this cub was raised by a logger named Jesse. As Charlie grows into a young adult (in feline years), all kinds of hijinks ensue—he wrecks a kitchen or two, makes mortal “enemies” with one of the logging camp’s dogs, takes a ride on a few logs, and eventually gets lost and ends up on his own for an entire summer. He faces danger, finds love, and grows up just enough that it’s no longer safe for him and Jesse to stay together. Charlie eventually finds a home on a nature preserve where he can live his life without hunters—or annoying dogs.

I was obsessed with cougars/mountain lions after watching this movie, and I remember wanting one sooooo badly. I’m pretty sure I was extra annoying in all my begging for my very own Charlie. I don’t know if my underdeveloped psyche connected with him because we both lost a parent, or if it was simply because I thought he was beautiful and funny—especially when he was destroying the kitchen. Whatever the reason, I fell in love.

I don’t know if I should admit this or not, but I do have a Charlie of my own who almost never leaves my bed. A friend got him for me about ten years ago, and I absolutely adore him. And if you want to meet Charlie for yourself, he's on Amazon Prime and a few other streamers as a rental. 

Murder Under Contract by Alex Henry

 

Synopsis From Goodreads:

There’s a gruesome start to the day for DI Leon Peterson when he’s called to an airline catering company: the boss has been knifed in his own kitchen. With few people seeming to regret his passing, Leon is spoilt for suspects. But witnesses are by turns defensive, distraught, and drug-addled, leading to frustrations for his newly-formed and sometimes fractious team.

Pressure to solve the case is piled on by Leon’s new boss – who happens to be his controlling ex-lover. Just as Leon thinks he has his murderer, one shocking discovery is followed by another, this one too close to home. Now he struggles to deal with family fall-out, with striking parallels to his case.

Poor Leon just cannot catch a break in this third installment. After being missing for decades, his father’s body has finally been discovered—and, as it turns out, the murderer might be a little closer to home than anyone could’ve guessed. The new case on his desk is horrifically bloody, and not a single person seems willing to cooperate. His brand-new team is fragile (too many personalities in one room), and he’s hoping against hope they come together before they implode. And if that wasn’t enough, his emotionally abusive ex is now his boss—and still thinks he can pull Leon’s strings like he used to. All this while Leon’s just trying to hold onto a new relationship.

If I were Leon, I’d have checked myself into a padded room by now, begging the world for a year of peace and quiet. But Leon handles it all with a kind of quiet strength that I can’t help but admire—though there’s definitely a little bit of avoidance mixed in for good measure. He’s the type of detective whose mind works methodically, clue by clue, until the whole picture forms (and that picture is never wrong). He throws himself into every case, whether it’s considered “important” or not, guided by an unshakable moral center. Watching him work is genuinely a pleasure.

Leon’s a joy to spend time with, and the people around him (well, not the ex) are just as compelling. The cases keep me hooked, and I find myself fully invested in every twist and turn. Here’s hoping Leon catches a break soon—but honestly? I kind of hope he doesn’t, because I never want this series to end.