Favorite Fictional Character --- Herman and Lily Munster

 

There is something rather wholesome—and timely—about a family who looks and acts differently than anyone else around them, yet still considers themselves the perfect American family. The notion that a family doesn’t need to look like yours in order to have value should be the norm, and for the couple who head the Munster family, it absolutely is.

Sadly, for their neighbors, those differences stand out—something that feels all too familiar given the state of things right now. But that’s another post. This one is about celebrating Herman and Lily Munster in all their romantic perfection.

First of all, I have to congratulate Herman and Lily Munster for being married for 161 years. That level of commitment is something I can only dream of. I admire and respect a couple who willingly put in the work to make such a long-term relationship not only function, but truly thrive. It’s impossible to be around them and not see the utter joy and comfort they find in one another.

Herman, who happens to work at a funeral home of all places, lives for his family, and it shows—not only in every look and touch, but in the way he strives to give them the best possible life. Lily is the heart and soul of their family. She runs the home—and her husband, to a degree. Together, they are everything any of us could imagine a true partnership being.

I wish them another 161 happy years together.

Favorite Fictional Character --- David Rose & Patrick Brewer

 

It’s February, the month of love, so to celebrate Cupid and all of his shenanigans, I’m going to be shining a spotlight on some of my favorite couples.

But first, I’m going to whine for a moment. Loudly. The flu strain going around right now is absolutely nothing to play with. It’s been days since my fever finally broke, and I’m still not feeling like myself, which is why I’ve been mostly MIA online the last few weeks. I am more than ready to feel normal again. I’m also incredibly grateful I got my flu shot in October, because I honestly can’t imagine how miserable I’d be without it.

Okay. Whining over.

Let’s get back to why we’re here: my favorite couples of all time. Last February, the Facebook page ran a tournament dedicated to these special pairings, and David Rose & Patrick Brewer walked away with the title of favorite fictional couple of all time.

And really, how could they not?

David & Patrick are the heart and soul of Schitt’s Creek. From the public, tear-inducing serenades to one of the most adorable hiking proposals ever put on screen, they are pure relationship goals. They support and complement each other perfectly. Where one is weak, the other is strong. Where one is scattered, the other is solid. They are each other’s home—something many of us spend a lifetime searching for.

Watching David and Patrick feels like a reminder that the right person doesn’t fix you—they meet you where you are and walk beside you anyway. That kind of love is rare, and it’s one I’ll happily believe in every time.

Favorite Fictional Character --- Sylvester J. Pussycat, Sr.

 

"Sufferin' succotash!"

When I was a kid, I’d get lost in Saturday morning cartoons. I would park myself on the floor in front of the TV and spend the next few hours watching all the fun and joy my adolescent heart could handle. The Bugs Bunny Show was one of those cartoons, and today’s Favorite Fictional Character was a big part of my enjoyment.

Sylvester J. Pussycat, Sr. is a cat with a voracious appetite—an appetite that makes his pursuit of Tweety, Speedy, and Hippety Hopper a tad frantic at times. What makes it even worse, at least from Sylvester’s point of view, is that it’s an appetite that will never be sated. Because, like Wile E. Coyote, Elmer Fudd, and Ralph Wolf, he’s doomed to fail every single time. This poor guy gets beaten up on the regular, but he has the spirit of a fighter. He never gives up, never gives in, much to the chagrin of his son, Sylvester J. Pussycat, Jr.

As a kid, there was nothing here not to find funny. Sylvester was—and still is—a hoot and a half. Granted, most of that laughter comes at Sylvester’s expense and is due to the bodily harm that befalls him over and over and over again, and that’s okay. There’s something inherently hilarious about his outsized confidence constantly crashing headfirst into reality. What I appreciate more now is just how much personality Sylvester brings to the table. He’s emotional, dramatic, and endlessly persistent. No matter how many times he fails, he always gets back up and tries again, fully convinced that this time will be different—and that belief is what has kept me laughing all these years later.

Favorite Fictional Character --- Sam Sheepdog and Ralph Wolf

 

"Mornin' Sam." "Mornin' Ralph."

If there was ever a perfect metaphor for the drudgery of going to work day after day—repeating the same actions, getting the same results, and never achieving your goal—Sam and Ralph would be the poster children of the dead-end job.

When Sam clocks in, he’s the guardian, parked on a ledge protecting his charges. When Ralph clocks in, he’s a hungry predator, desperate to get his hands on a sheep. Sam spends a lot of his time sleeping. Ralph spends a lot of his time running around like crazy. Sam, as adorable as he is, is a little more violent than expected. Ralph, as dangerous as he looks, just doesn’t seem to have the drive needed to react in kind.

I shouldn’t find it as funny as I do. It’s an unending, 9-to-5 hamster-wheel cycle that’s hilarious as hell. No growth. No victories. No promotions. Just two guys doing exactly what they’re paid to do and getting absolutely nowhere. And somehow, that never gets old.

Libeled Lady (1936)

Synopsis From Rotten Tomatoes:

When a major newspaper accuses wealthy socialite Connie Allenbury (Myrna Loy) of being a homewrecker, and she files a multi-million-dollar libel lawsuit, the publication's frazzled head editor, Warren Haggerty (Spencer Tracy), must find a way to turn the tables on her. Soon Haggerty's harried fiancée, Gladys Benton (Jean Harlow), and his dashing friend Bill Chandler (William Powell) are in on a scheme that aims to discredit Connie, with amusing and unexpected results. 

There are few on-screen pairings that will ever come close to the chemistry shared between William Powell and Myrna Loy. Watching the way they play off each other is almost a cinematic religious experience. I remember the first time I watched The Thin Man (1934) and how utterly enchanted I was by them. I was so enchanted, in fact, that I immediately went out and bought The Thin Man box set, which included all six films. When I finished those, I went on to watch all fourteen movies Powell and Loy made together between 1934 and 1947. That’s the kind of hold they have on me.

Their wit and playful banter are in full display in Libeled Lady (1936), a classic screwball comedy with romantic hijinks thrown in for good measure. It’s a fast-paced romp packed with more marriages than you can count, a barrage of one-liners flying through the air like heat-seeking missiles, and a fishing scene that has me laughing so loudly I’m convinced they can hear me seven counties over.

The chemistry between Powell and Loy is already a force to be reckoned with, but when you add Jean Harlow and Spencer Tracy into the mix, it becomes something truly special. The four of them work so effortlessly together that it’s no surprise Libeled Lady earned a Best Picture nomination, ultimately losing to The Great Ziegfeld—another William Powell and Myrna Loy film, no less.

The pace of the movie is exactly why this review is going to be short on specifics and heavy on demands that you go watch it for yourself. I’m struggling to single out moments without giving anything away, and this is very much a movie best experienced firsthand. If for no other reason, watch it to see William Powell and Myrna Loy at the absolute peak of their powers. You won’t regret it.

The 100 Best Comedy Movies of All Time, According to Variety

 

Variety came out with their list of the 100 best comedy movies of all time, and I'm going to state up front that while I agree with a lot of it, there are some glaring omissions. I'll even admit I haven't seen everything—maybe not even most of what's on the list—but I still think they missed the mark. Before I get to what I think is missing, or comment on what I think is a terrible pick, let me show you what they chose. I'll highlight the ones I've seen in red. 

1. The Naked Gun: From the Files of Police Squad! (1988)

2. Some Like it Hot (1959)

3. Annie Hall (1977)

4. The Great Dictator (1940)

5. Waiting for Guffman (1996)

6. Monty Python and the Holy Grail (1975)

7. Duck Soup (1933)

8. Fargo (1996)

9. Young Frankenstein (1974)

10. Groundhog Day (1993)

11. Sherlock Jr. (1924)

12. Tootsie (1982)

13. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

14. Sideways (2004)

15. Playtime (1967)

16. His Girl Friday (1940)

17. The Heartbreak Kid (1974)

18. This is Spinal Tap (1984)

19. It Happened One Night (1934)

20. Superbad (2007)

21. The Bank Dick (1940)

22. Caddyshack (1980)

23. Trouble in Paradise (1932)

24. Bridesmaids (2011)

25. M*A*S*H (1970)

26. Borat! Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)

27. The Philadelphia Story (1940)

28. Richard Pryor: Live in Concert (1979)

29. When Harry Met Sally (1989)

30. Austin Powers: International Man of Mystery (1997)

31. Pink Flamingos (1972)

32. Sullivan's Travels (1941)

33. Lost in America (1985)

34. Withnail and I (1987)

35. School of Rock (2003)

36. Ed Wood (1994)

37. The Princess Bride (1987)

38. The Nutty Proffesor (1963)

39. Clueless (1995)

40. Zoolander (2001)

41. A Hard Day's Night (1964)

42. Four Weddings and a Funeral (1994)

43. Team America: World Police (2004)

44. Mrs. Doubtfire (1993)

45. Kind Hearts and Coronets (1949)

46. Coming to America (1988)

47. The Grand Budapest Hotel (2014)

48. Bringing up Baby (1938)

49. Shampoo (1975)

50. The Waterboy (1998)

51. Being John Malkovich (1999)

52. The Tall Blond Man With One Black Shoe (1972)

53. Broadcast News (1987)

54. Elf (2003)

55. Safety Last! (1923)

56. The Odd Couple (1968)

57. My Best Friend's Wedding (1997)

58. House Party (1990)

59. Pillow Talk (1959)

60. Big (1988)

61. The Birdcage (1996)

62. Airplane! (1980)

63. Going Places (1974)

64. A Fish Called Wanda (1988)

65. Poor Things (2023)

66. Eddie Murphy Raw (1987)

67. Hellzapoppin' (1941)

68. In the Loop (2009)

69. Ace Ventura: Pet Detective (1994)

70. Legally Blonde (2001)

71. Miracle at Morgan's Creek (1944)

72. The Big Lebowski (1998)

73. Napoleon Dynamite (2004)

74. Private Benjamin (1980)

75. Shaun of the Dead (2004)

76. Me and You and Everyone We Know (2005)

77. Blazing Saddles (1974)

78. A Night at the Opera (1935)

79. The Rocky Horror Picture Show (1975)

80. Bamboozled (2000)

81. The Devil Wears Prada (2006)

82. The Awful Truth (1937)

83. Wet Hot American Summer (2001)

84. Women on the Verge of a Nervous Breakdown (1988)

85. To Be or Not to Be (1942)

86. Idiocracy (2006)

87. Everything Everywhere All at Once (2022)

88. Anchorman: The Legend of Ron Burgandy (2004)

89. Fast Times at Ridgemont High (1982)

90. Bob & Carol & Ted & Alice (1969)

91. She Done Him Wrong (1933)

92. The Jerk (1979)

93. Hairspray (1988)

94. Clerks (1994)

95. Brazil (1985)

96. I'm Gonna Git You Sucka (1988)

97. Born Yesterday (1950)

98. Pretty Woman (1990)

99. Wayne's World (1992)

100. Bridget Jones's Diary (2001)

I’ve been trying to decide where I want to start my commentary on this list, and I think I’ll start with what I love about it.

My sense of humor is definitely on the darker side—so much so that I laughed out loud when the guy slid down the deck and pinged off the propeller blade in Titanic (1997). So it was great to see Fargo in the top ten. It’s one of my favorite movies of all time and a terrific example of dark comedy at its best. I do think there was room for some others, though: Nurse Betty (2000), Very Bad Things (1998), Serial Mom (1994), Dogma (1999), Go (1999), Heathers (1988), American Psycho (2000), Welcome to the Dollhouse (1995), Don’t Tell Mom the Babysitter’s Dead (1991), Knives Out (2019), and Game Night (2018) are all strong contenders that I love. There are actually two others, but they’ll come up later.

I loved seeing horror-comedy make the list with Shaun of the Dead, since it’s my second-favorite subgenre after dark comedy. And while I’ve never seen that particular movie, I’m not sure it’s the best example of the genre at its best. I’d put forth Jennifer’s Body (2009), Ready or Not (2019), Trick ’r Treat (2007), Happy Death Day (2017), Krampus (2015), House (1985), Gremlins (1985), Little Shop of Horrors (1986), The Wolf of Snow Hollow (2020), Ghostbusters (1984), Fright Night (1985), and The ’Burbs (1989) as either substitutions or additions.

I loved seeing Cary Grant all over the list, especially with His Girl Friday, which is my absolute favorite romantic comedy of all time. The chemistry between him and Rosalind Russell is off the charts. But I was really surprised that Arsenic and Old Lace (1944) wasn’t one of his selected movies. Three of my favorites were also skipped over: Mr. Blandings Builds His Dream House (1948), Houseboat (1958), and My Favorite Wife (1940).

I have to admit, given I haven’t seen a lot of these movies, that this isn’t a bad list overall—I’m just 1000% sure it’s not a list I would ever put together. So here are my proposals to fix it.

The inclusion of a Christmas movie would normally be something I’d celebrate, but I really don’t like Will Ferrell, so seeing Elf—when there are far better choices—felt like a stab in the back. These are the movies I’d propose instead: Christmas in Connecticut (1945), The Ref (1994), Christmas with the Kranks (2004), or The Holiday (2006). And while I may not necessarily like the next three movies, I’m still surprised they were passed over for Elf: National Lampoon’s Christmas Vacation (1989), A Christmas Story (1983), and Home Alone (1990).

This may be wildly unpopular, but I’m not a fan of Jim Carrey, Vince Vaughn (as a comedic actor), Ben Stiller, Adam Sandler, Mike Myers, or the aforementioned Will Ferrell, so I’d like to see all of their movies off this list. I’d replace them with any combination of the following: Lucille Ball in The Long, Long Trailer (1953); Lily Tomlin in Big Business (1988) and 9 to 5 (1980); Michael J. Fox in The Secret of My Success (1987); Diane Keaton in Baby Boom (1987); Melanie Griffith in Working Girl (1988); Mary Gross in Feds (1988); Jeremy Renner in Tag (2018); Goldie Hawn in Overboard (1987); and Elisabeth Shue in Adventures in Babysitting (1987).

Speaking of movies I’d like to get rid of, I’m annoyed that there are so many films on this list where cisgender male characters dress as women for laughs, deception, or both. Instead, I’d like to replace two of them with The Adventures of Priscilla, Queen of the Desert (1994) and To Wong Foo, Thanks for Everything! Julie Newmar (1995). And speaking of bad stereotypes played for laughs, I’d replace The Birdcage with any of the following: Edge of Seventeen (1998), In & Out (1997), But I’m a Cheerleader (1999), Jeffrey (1995), Trick (1999), or Red, White & Royal Blue (2023).

While I may not like every movie I’m about to list, I’m still flabbergasted that not a single John Hughes movie—directed or written by him—is included. The Breakfast Club (1985), Pretty in Pink (1986), Ferris Bueller’s Day Off (1986), Uncle Buck (1989), Sixteen Candles (1984), Planes, Trains and Automobiles (1987), The Great Outdoors (1988), She’s Having a Baby (1988), Mr. Mom (1983), and Weird Science (1985) are all missing in action. It’s shocking and needs to be corrected. 

Before I list the movies whose absence feels like pieces of my soul are missing, I wanted to mention a few others I was surprised not to see, even if they aren’t favorites of mine: Beetlejuice (1988), 10 Things I Hate About You (1999), Friday (1995), Beverly Hills Cop (1984), Breakfast at Tiffany’s (1961), and Grumpy Old Men (1993).

Now we’re down to the four movies left off this list that not only shocked me but left me judging every single person who put it together.

Auntie Mame (1958) is just about my favorite movie of all time. Rosalind Russell is so damn funny here, as is the entire cast. I first watched this in high school on A&E, when those two letters actually stood for something, and it’s been my favorite movie ever since. I would do anything to have an Auntie Mame in my life.

Speaking of Rosalind Russell, she’s comedy gold in The Women (1939), which has an all-female cast including Joan Crawford and Norma Shearer. I watch it at least once a year and will probably be doing so for decades to come.

How Death Becomes Her (1992) was passed over is beyond me. Goldie Hawn, Meryl Streep, and Bruce Willis act the hell out of these roles, delivering some delightful one-liners.

That leaves the biggest snub, in my opinion: Clue (1985). This movie shouldn’t just be on the list—it should be number one. I wouldn’t be surprised if flames appeared on many faces after not seeing this movie listed. The cast is full of comedy legends who know how to deliver a line. Rejecting them like this should be illegal.

What do y’all think of the list? What do you think shouldn’t be on it, and what do you think got brutally snubbed? No matter what, whether the movies are on the list or among the ones I mentioned, I hope you decide to give a few you’ve never seen a watch—and maybe even revisit an old favorite you haven’t thought of in a while. Happy watching!

Meddling Kids by Edgar Cantero

 

Synopsis From Back Cover:

In 1977, four teenagers and a dog—Andy (the tomboy), Kate (the nerd), Kerri (the bookworm), Peter (the jock), and Tim (the Weimaraner)—solved the mystery of Sleepy Lake. The trail of an amphibian monster terrorizing the quiet town of Blayton Hills led the gang to spend a night in Deboën Mansion and apprehend a familiar culprit: a bitter old man in a mask. 

Now, in 1990, the twentysomething former teen detectives are lost souls. Plagued by night terrors and Peter's tragic death, the three survivors have been running from their demons. When the man they apprehended all those years ago makes parole, Andy tracks him down to confirm what she's always known, they got the wrong guy. Now she'll need to get the gang back together and return to Blyton Hills to find out what happened in 1977, and this time, she's sure they're not looking for another man in a mask. 

Does anyone of a certain age not love Scooby-Doo? How many of us grew up watching Fred, Daphne, Velma, Shaggy, and Scooby run through spooky mansions catching thieving butlers and shady real estate developers? I own the entire series of Scooby-Doo, Where Are You! and my favorite episode of Supernatural is the one where they’re sucked into a Scooby-Doo cartoon. I even own all the Funko Pops! I’m saying all this to explain why, when I found Meddling Kids at Barnes & Noble, I bought it faster than a cat lapping chain lightning.

Based on the blurb, I was expecting a more adult version of the Scooby gang. I wanted a story that delivered the humor I’d expect, blended with some genuinely scary happenings. I wanted higher stakes and real monsters. What I wasn’t expecting was a full-on Lovecraftian horror story that was hilarious and still managed to make these “kids” feel fully human—flaws and all—rather than the cardboard cutouts this sort of story usually serves up. I mean, let’s face it: as much as I love Scooby-Doo, I’m not expecting a lot of depth from the gang while we’re all haunting out.

Stylistically, reading this was a fricking blast. It regularly switches between second and third person, slips from traditional prose into play format (complete with stage directions), and includes some brilliantly made-up words that the author seems to have invented on the fly. If that sounds like utter chaos—it is. And I loved every single word of it. If any book should be chaotic, it’s a violent Lovecraftian Scooby-Doo send-up that somehow had me laughing out loud and contemplating life, sometimes on the same page.

I had such a good time reading this book that it reminded me of being a kid again—curled up on the couch, watching Scooby and Shaggy get used, once again, as bait in one of Fred’s elaborate traps. It was both nostalgic and refreshingly new at the same time. I’m just hoping we either get a sequel or, even better, a movie. That’s one I’d absolutely be there for on opening night.

Favorite Fictional Character --- Grace Le Domas

 

I’m not sure if I’ve mentioned this before, but I’m a huge horror movie fan. At last count, I own over 500 physical movies, and I believe it’s safe to say that almost 70% of them are horror. Hell, it might even be more than that. When I go to the movies, nine times out of ten, it’s going to be a horror film. I saw Good Boy two weekends ago (and yes, the dog will absolutely get his own FFC post). This weekend, I think I may go see Shelby Oaks.

One of the best times I’ve ever had in a theater was in 2019 when I watched Ready or Not. For those of you unfamiliar with one of the greatest horror comedies of all time, let me set the stage. Samara Weaving plays our heroine, Grace Le Domas. She’s just married into a rich and powerful family who made their fortune through games—and a little secret deal on the side. When someone marries into the family, the newlywed has to draw a card from an ancient box in the family’s game room. Whatever game is drawn, everyone must play. When Grace pulls her card, it reads Hide and Seek.

Grace, like most of us would, assumes it’ll be a harmless game—she hides, someone finds her, everyone laughs, and the night ends. But she quickly learns that if she’s found, the seeker gets to kill her. If she survives until sunrise, she wins… and the rest of the Le Domas family loses. And trust me, they really, really don’t want to lose.

Grace is one of those characters you can’t help but admire in a huge way. She’s thrown into a situation that most people wouldn’t be able to handle. I’d like to think I have the same fire inside me that she does. Realistically, I’d probably be curled up in a ball, waiting for my time to come. She’s resourceful, quick-thinking, adaptable, and has a pain tolerance I’m downright jealous of. Grace is the kind of character who embodies the inner strength I want for myself. She’s amazing—and I revisit her story at least once a year. Hopefully, you’ll choose to meet her soon yourself.

And yes, I know I was being a little facetious with my opening line—because let’s be real, this isn’t the first (or the last) time I’ve mentioned my love of horror.