Wednesday, August 24, 2016
Synopsis From Back Cover:
When Althea Leary abandons her nine-year-old son, Jasper, he's left on his uncle's farm with nothing but a change of clothes and a Bible.
It's 1952, and Jasper isn't allowed to ask questions or make a fuss. He's lucky to even have a home and must keep his mouth shut and his ears open to stay in his uncle's good graces. No one know where his mother went or whether she' coming back. Desperate to see her again, he must take matters into his own hands. From the farm, he embarks on a treacherous search that will take him to the squalid hideaways of Detroit and back again, through tawdry taverns, peep shows, and gambling houses.
As he's drawn deeper into an adult world of corruption, scandal, and murder, Jasper uncovers the shocking past still chasing his mother - and now it's chasing him too.
Why does it seem that the vast majority of publishers synopses either exaggerate an aspect of the book, or take you in a totally misleading direction? Half the time when I sit down at the computer to write a review, I want to rebut an aspect of the synopsis, but I'm going to reign that instinct in this time around. It's not that the inconsistencies don't bug me, because they do, but it's rather that I'm too tired to write my own synopsis, and the issues I have with the publisher's version aren't bugging me enough to force my hand.
And I think that's the overriding feeling I have towards the book as a whole. I'm simply apathetic towards the finished product, and I have no clue on what to say about it. If I could state I loved it, or even hated it, that would be one thing. I could then pull it apart, highlight the reasons behind either feeling, and finish with why I think you should or shouldn't read it. Rather, I find myself in this rather limbo like existence, and I feel horrible about it. I didn't like it, nor dislike it, and that's all I can really say about the story itself.
Regardless of my antipathy towards the book, I'm absolutely enthralled by the hero of the book, Jasper. I don't think it's possible for me to come across a fictional kid, and love them more than I do him. He has to be the bravest, most stubborn, and determined character I've come across in a very long time. I do think he acts a little too old at times, and I'm not really sure an actual nine year old would have acted in the manner he did, but I really wish I would have been as brave as him at that age. If I ever read this book again, it will be because of Jasper.
I would like to thank Lisa of TLC Book Tours for the opportunity to read/review this book. Please visit the tour page to read more reviews.
Monday, August 8, 2016
Synopsis From Publisher:
Author Jeff Powell wakes up to find the impossible has happened. He is within his own novel - summoned into the fictional world of Feldall's Keep by a spell he didn't write. One the House enchantress hasn't figured out how to reverse.
When the villain he's been struggling to write reveals himself, unleashing waves of terror and chaos, Jeff must use more than his imagination to save the characters he created - and the woman he loves.
Trapped within a world of his own creation, he must step outside the bounds of his narrative to help his characters defeat an evil no one anticipated, even if he must sacrifice his greatest gift. In the end, he has to ask: are novel really fiction, or windows into other worlds?
As a kid, I fell in love with Fantasia and all the promise it held. For years I would play a game in my head where every character I cam across, be it from books, movies, TV shows, or some other medium, lived in one giant fantasy world. They formed organizations, opened businesses, built relationships, and fought the bad guys, who happened to be on a neighboring planet. What all that meant, was that these characters existed outside their creator's mind. They lived entire lives that were not influenced by their creator's arbitrary decisions. That last concept is why I fell in love with this book, and why I can't wait to read the rest of the trilogy.
When Jeff wakes up in the world he thought he created, he's just a tad bit confused. At first he thinks it's an elaborate prank, but quickly decides he is simply dreaming. He plays along with the characters he though he invented, humoring them when they tell him they brought him there to solve some major problems. Of course they lecture him a bit on the way he is handling some of the plot points, and quickly inform him that what he's writing is only a small fraction of their daily lives. Over time, as he gets to know them, to understand their history, he realizes that he is in fact in the world he created. When he is faced wit the death of one of his "creations", a death he did not plan, his world is turned upside down.
To be blunt, I couldn't stand Jeff in the beginning. I thought he was just a tad bit too egotistical, but he's an author who loves creating worlds, so what else should I expect from someone with a godlike complex. And for the most part, his characters modeled that attitude. As he matured, he softened up and I grew to like him. And oddly, as he became less rigid, so did his characters. As they turned to face a common threat, they grew as a unit, and really began to understand each other. The one relationship I never understood or even liked was with the "love of his life." It made no sense in the structure of the story, and I kept waiting for her to be killed off. My wish was never granted, but I'm keeping my fingers crossed for the next two books.
I still don't think Jeff, nor his characters, know whether Jeff dreamed them up, or if he just tapped into their world, influencing their actions when he could. I don't think I have a strong opinion on it either, and I'm okay with it. I'm just looking forward to what happens next.
Wednesday, August 3, 2016
Of every character created for the franchise, she is my all time favorite. She suffered loss after loss in her life, and she always found the strength to come back and beat it. She lost her parents at a young age, then her husband dies, leaving her to raise a son by herself. She pours herself into raising Wesley and becoming a Starfleet Commander. She is a strong independent woman, and she really cemented herself as my favorite when she went to bat for Hugh, the young Borg that was rescued from his crashed ship. When those around her, including Captain Picard, wanted to use him as weapon, Dr. Crusher defended him, and did everything she could to make sure he had every chance to become his own person. Time and time again, crisis after crisis, Dr. Crusher proved to be a deeply talented officer, willing to put the needs of others before her own. I also thought that of all the main characters on the show, she was the one who seemed to grow the most over the years. By the end of the series, she was a woman & officer who was not only completely comfortable in her own skin, but supremely confident in who she was, and what she had to offer.